Poor Man’s Spoiler

High Value Film Blog, Zero Budget

Category: Reviews

  • Obsession Review: The Dichotomy of Horror

    Obsession Review: The Dichotomy of Horror

    There are two ways of looking at the movie Obsession. One is a glorification of the loss of female autonomy. The other is a damning critique of passive toxic masculinity. Both are completely valid, when examining the film. At the same time the dichotomy of the film and what all it possesses makes it difficult to assess the film from a morally good standing. At its core the plot of the film is about a man who removes a woman’s autonomy. Yet in the same breath, you have to admit that it is a horror film, and as such is an example of how that is a bad thing.

    Obsession is about a young man named Bear (Michael Johnston) who states that he is in love with one of his best friends Nikki (Inde Navarrette). Bear ends up finding something called a One Wish Willow at a New Age store. The One Wish Willow allows the user to make any wish, no matter how grand or small after removing a Willow piece from the box and snapping it in half. Bear makes a wish that Nikki would love him more than anyone else on the face of the planet.

    From the moment he does this, Nikki loses all autonomy. There are small moments throughout the film, where the real Nikki, who does not love Bear in that way- breaks through and begs for Bear to undo his wish somehow. To help her be free from this wish that he has trapped them both in. Because until one of them dies, Nikki will be forced to live out this wish. Which at first may seem harmless, but ends up becoming a disastrous and horrific bloody affair.

    The whole idea of the wish essentially becomes a monkey paw situation. Where the thing that you thought you wanted becomes something that is horrific and deadly after you receive it. Because Nikki will go to any lengths to make sure that her love for Bear is reciprocated. Even removing people who she believes to be a threat to their relationship.

    As the film plays out, it moves from a deep, psychological horror, into a bloody and grotesque story. One filled with suicide attempts, mutilation, body disfigurement, animal cruelty, and gruesome murder. The film uses nearly every tool in the horror film toolbox to creep you the fuck out. And along the way, shows that sometimes the “good guy” isn’t actually the good guy.

    There are multiple times where Bear is faced with the fact that what is happening to Nikki, as she is becoming more and more obsessed with him is not her own doing. And that she does not want to be part of it and would rather die. Yet instead of doing anything to stop it. Bear only thinks of himself up until the very last moment of the film, at which point only one person is left standing. Surrounded by a massacre of blood and extreme horrors that no decent person should be subjected to.

    In my initial response to the film, I said that I give it five out of five stars. And after reflecting on the film a lot, I don’t know that I want to change that. Are there aspects of this film that maybe could be considered problematic, absolutely. Because in some ways it does lean into rape culture that is prevalent in our society. But at the same time, it is taking those things, putting a horror lens on it and saying to these monsters who are part of all of that this is what you fucking get. Examining the destruction and the horrors that are inherent in the toxic masculinity that is prevalent in our society.

    I could go back-and-forth all day on how this film is good on the one hand and bad on the other. But at its core, it is a piece of art that is asking you to have that question or that conversation. The film works heavily to show that Bear is a problematic “protagonist.” That he is never once doing what is right. And that he constantly falls into the traps of toxic masculinity. Even when it’s subtle. Even when there are moments where you could think maybe he’s going to redeem himself. He doesn’t, he’s selfish and only thinks about himself up until the last scene of the film.

    The best art is the art that makes you walk away thinking about it long after you’ve experienced it. It is my opinion that Obsession fits that. It is something that invites a conversation. It is something that can be dissected in a million different ways. It is something that uses the crafts inherent in what it is, to examine deeper things. For that reason, I feel that it is a good film. And I think it is something that we should discuss openly. Because at the end of the day, the issues the film presents will never go away if we hide them in the shadows. If we continue to pretend that every “good guy” is actually a good guy and we don’t acknowledge the monsters that are around us. We are all doomed to lose all of our autonomy.

    Rating: 5/5

    Obsession is now playing in theaters.

  • A Very Fun Star Wars: “The Mandalorian & Grogu” Review

    A Very Fun Star Wars: “The Mandalorian & Grogu” Review

    This weekend sees the release of the newest Star Wars film, The Mandalorian and Grogu! We’ve got our spoiler free review here!

    Remember when you were a kid, and you saw a Star Wars movie for the first time. There were big explosions. There were cool action sequences. There were characters and creatures you couldn’t have dreamt up in your wildest dreams. There was a layer to it all that felt real, and dirty. Not polished and fancy outer space stuff. By some miracle director Jon Favreau (Iron Man), along with his co-writers Dave Filoni (Star Wars: The Clone Wars) and Noah Kloor (The Book of Boba Fett) have done just that.

    The film is a continuation of the story told in the Disney+ TV series, The Mandalorian. However, the film needs absolutely no introduction to be able to understand it. Much like the original first season of the TV show. This is something you can turn on, and simply enjoy for what it is. It follows a bounty hunter named Din Djarin (aka The Mandalorian/Mando)played by Pedro Pascal, and his apprentice/adoptive son Grogu (aka Baby Yoda), as they hunt someone down for the New Republic in a post Return of the Jedi Star Wars Universe. That’s literally all you need to know. The Mandalorian takes a job to hunt someone down, and it becomes messy.

    It’s a very simple entry point to this corner of the Star Wars universe. It’s also a simple entry point to Star Wars period. This is the kind of movie you can show to your kids and say, “want to see more stuff like this?” And then unpack it all. But at the same time it’s also very rewarding for long term fans of the franchise. There’s callbacks, characters, Easter eggs, and references to EVERYTHING Star Wars. But none of it is something that takes you out of the story. It’s all just part of acknowledging that this is a big universe. And if you don’t know what these things mean, you’d never know it’s something people are going to geek out about later. The film balances the thing that has made the TV show, The Mandalorian, so great. It’s Star Wars that rewards the viewer if you’ve seen more, but you also ABSOLUTELY can go into it all completely blind.

    Favreau has also done a great job of weaving practical effects and characters alongside CGI elements. The titular Grogu, is a puppet most of the time he’s on screen. There are characters who are completely CGI, and there’s real humans. At any given time all three kinds of character can be interacting seamlessly in one scene. And the design of all the characters, both returning and new, are phenomenal. There’s a snake-like beast seen in the trailers, which legitimately looks like it popped out of the concept art which was shown during the credits of each episode of the show. There’s some cool details and Easter eggs within some of the creatures as well. Which we may get to at another time. But let’s just say some of the creatures who fight have been seen fighting before, in the very first Star Wars movie.

    The film features some incredible action sequences. Honestly, there’s more action set pieces than I expected. Yet at the same time I’m not surprised, because that’s always how this corner of the franchise has worked. The Mandalorian has always been an action show. It’s told some cool stories, but it’s been about the cool stuff you can do in this sandbox. Favreau really takes advantage of it with this film. There isn’t a lightsaber in a single second of screen time, but many of the fights are just as amazing as some of the best lightsaber battles.

    In many ways the film is like a long episode of the television show. But not at all in any of the ways that would make that a bad thing. It’s just BIGGER. Not the stakes necessarily. But what Favreau and crew are able to put on screen, is so much more than you can fit into one television episode. In every way shape and form, it elevates this kind of story. It shows that you can do a Star Wars film, that’s just fun and EXTREMELY entertaining. One that plays out like an old pulp action/adventure film. Or like a western where one cowboy is searching for someone, and getting shot to hell along the way.

    The film is everything Star Wars can be, everything it should be, and everything it hopefully will be moving forward. There’s times you’ll laugh. Some times you might shed a few tears. There’s a heart to the film that is centered in familial ties. There’s amazing creatures. There’s new and weird worlds. There’s also some incredibly cool elements of the universe from different eras that I never expected to see together in a live action film.

    I’ll admit, I know I’m not saying or revealing much. But there’s also not much to reveal. It’s just a fun action adventure film. It’s the type of escape we could all use right now. And it’s something I truly believe everyone in the family could enjoy for one reason or another. This is a great Star Wars film, it’s a great Mandalorian film, it’s a great Summer Blockbuster. But above all else, it’s a damn good time at the movies.

    Rating: 5/5

    The Mandalorian and Grogu is now playing in theaters. You can check out the trailer below. And be sure to keep following us for more Star Wars and MAndalorian coverage!

    (Written by Alex Lancaster. Alex is a single dad living in Central Indiana, who has been obsessed with film and TV since he was 3 years old. You can follow him on Threads for more of his thoughts, and if you’d like to help support him right now you can click here.)